The Yes Manifesto
Yes to the near, to almost imperceptible subtlety
To the small that becomes immense when seen
Yes to sensation and to the tactile glance
To skin in its depth of field
Yes to the raw, to the restrained, to the analogical and to the acoustic
Yes to possible truths, to contradiction
And to the tension between poles
Yes to honesty, to leaps without safety nets,
To knowing where one is going even without knowing it
Yes to the present, to catching the ephemeral and freeing it, to intuition
To the impulse that one must wait for and to launching ourselves at that impulse
Yes to silence, to doubt, to the radical (at root),
To the soul that bares itself
Yes to balance that trembles
To the power of vulnerability
Yes to emptiness, to mystery and
To interweaving words to name the unnameable
Yes to what escapes us and to what we let go
To letting something happen
Yes to the process of becoming, to the continuity of the discontinuous
Yes to the most intimate dimension of creation
The Yes Manifesto frames the project’s creative territory. It emerges as a complicit counterpoint to the famous No Manifesto by Ivonne Rainer, American dancer, choreographer and filmmaker, a leading reference of the artistic avant-garde of the 1960s.